Luca gained his Bachelor's degree in Sound Technology and Contemporary Music at Conservatorio “Giuseppe Verdi” Milano in Italy in February 2010.

In 2011 He moved to London to undertake further studies at Alchemea College on their Live Sound course.

Luca started working as a tutor for Britannia Row Production Training in 2012 and became the Course Director in 2018.

At present he also works for various productions, among which worth mentioning is his involvement with Rockin 1000 as System designer and FOH engineer.

Prior to working for Britannia Row Productions, Marcel has been a freelance live sound engineer since 1987, and since 1994, a studio recording/mix/mastering engineer. In 2007 he then became a lecturer of sound engineering, teaching for London based Alchemea school of Audio Engineering, before joining Britannia Row Productions Training as a tutor. Marcel has been the sound engineer for Tori Amos since 1994. For Tori he recorded, mixed & mastered 17 albums, 4 of which were Grammy nominated and has been Tori’s monitor engineer on 16 world tours.

He has been involved with music all his life, initially trained from a young age in singing, violin and piano including a 5-year stint in the Winchester Cathedral Choir.

An interest in recording spans about 30 years, held somewhat in check by a full-time career as a cardiologist from which he retired early to persue his consuming interest in music, recording/mixing In studio, and playing bass guitar in local rock bands.

His area of special academic interest is psychoacoustics sparked by the realisation that masking was the main reason doctors had such difficulty mastering the beat of a heart sound interpretation using a stethoscope. That led to widespread reading on the subject including his preparing many acoustic demonstrations, which form this series of 4 psychoacoustics presentations. 

Music has been his love since he was a child. He also loved to make his own electroacoustic equipment such as amplifiers and speakers. The combination of  being a musician with a bakground in electrical engineering, helped make his choice to become a sound engineer.

Sergiy joined his first professional sound company in 1999, just a couple of years after he got his electrical engineering degree. During these years from mixing monitors and FOH Sergiy ended up concentrating more on being a system engineer and system designer. Working in this part of the sound industry gives him more flexibility to be creative.

Every stage of the system implementation starting from the CAD drawings of the venue, the system simulation using the sound design program, the actual system setup, to the final system tuning are always exciting for Sergiy. " Tuning a system to me is like playing an instrument, as a result, all the notes must sound clear".

Sergiy is also a V-DOSC (2006) and K1 (2013) certified engineer for L-Acoustics, one of the leading sound system equipment manufacturers.

Sergiy does system design, implementation and optimisation for a wide range of events from concerts and festivals to award shows and tours.

Simon is an experienced Sound Engineer with over 30 years of in live events. Mixing FOH and Monitors, for high level global artists. Also director of surfhire (a part of the Britannia Row Productions/ Clair Global Corporation) providing networking, intercom and RF solutions for touring, TV end events across disciplines including music, theatre, corporate and sports. Motivated, passionate and creative, rapidly adapting to how the industry has pivoted..

of the Northcott Theatre, Exeter. After leaving in 2009 to pursue a freelance career in Sound

Engineering, Scott found himself working for local acts & venues like The Exeter Cavern & The

Phoenix.

Moving up the chain, he has developed an extensive world touring career over the last 12 years

from the likes of Kasabian, MUSE, Robert Plant, The Pretenders and Andre Bocelli.

Television is also a regular for Scott when not touring from shows. Programmes range from

Children in Need Rocks, The Brit Awards, Eurovison UK through to one off’s with Artists on

Sunday Brunch, Soccer AM, Saturday night takeaway, Comic Relief and many more.

Glastonbury has been a regular event for Scott, looking after monitors on The Otherstage for the

last 6 years. Other festivals worked on include Creamfields, Leeds, Radio One Big Weekend &

Womad & Coachella to name a few.

Scott finds himself at different ends of the multicore for different shows as an Engineer whilst also

serving as a Crew Chief & Tech.

Working his way from starting out as local crew and advancing through the ranks, he has been involved in the industry since 1997 and has a long list of venue, festival, artist, corporate and TV experience to draw from.

He has worked on many high level tours and shows on behalf of Britannia Row along with other production companies, artists and record labels.

As someone who learnt through structured training himself, he is keen to pass on his knowledge and real world experience to others.

He sees the Britannia Row Productions Training course as a perfect opportunity for people to widen their knowledge whilst also gaining a hands on experience of equipment and procedures used in the professional environment.

Will brings a vast wealth of experience to our more advanced electrics video lectures.

In the 80's he worked as a stage hand and on lighting crews, the latter of which led to two different roles. Rigging the points and being a lighting designer. Function took preference over art and so began a concentration on all aspects of rigging. This was interspersed with a bit of stage managing and a lot of non stop world tours.

After a stint as head rigger with U2, touring firstly arenas and then huge stadiums, Peter went back the pubs and clubs of West London as production manager for the then up and coming Jamiroquai. A role that he continued in for 10 years by which time they progressed to arenas and stadiums ! He continued as head rigger for U2 as well as production manager for Underworld until stopping touring in 2006. Since then he has run a small rigging company that services London venues and companies. He was one of the team instrumental in setting up the National Rigging Certificate and is a qualified assessor for the scheme. He has trained as a lifting gear inspector and sits on the panel National Rigging Advisory Group. He enjoys training others to pass on the knowledge and experience that he has accrued in the past 35 years.

      He grew up in Edinburgh and moved to London to study theatre sound at university in 2002. Starting off his career in theatre, Fergus has worked with dance companies, touring internationally; on countless west end and fringe productions; and finally ending up at the National Theatre.

      It wasn't until the 2012 London Olympics, that Fergus restarted his freelance career, this time concentrating on events and music. Working for Brit Row, as well as a number of other clients, he has gained a wealth of experience working on large scale music tours, festival stages, sporting events, and corporate shows of all sizes, while still dabbling in theatre from time to time.